The Victorian Age in Literature (Classic Reprint), by G. K. Chesterton
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The Victorian Age in Literature (Classic Reprint), by G. K. Chesterton
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Excerpt from The Victorian Age in LiteratureA section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyere cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood - along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time as they come in any serious study of a spirit or a tendency.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Victorian Age in Literature (Classic Reprint), by G. K. Chesterton- Published on: 2015-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .57" w x 5.98" l, .81 pounds
- Binding: Paperback
- 272 pages
About the Author Gilbert Keith Chesterton was born in London, England, in 1874. He went on to study art at the Slade School, and literature at University College in London. Chesterton wrote a great deal of poetry, as well as works of social and literary criticism. Among his most notable books are "The Man Who Was Thursday", a metaphysical thriller, and "The Everlasting Man", a history of humankind's spiritual progress. After Chesterton converted to Catholicism in 1922, he wrote mainly on religious topics such as "Orthodoxy" and "Heretics". Chesterton is most known for creating the famous priest-detective character Father Brown, who first appeared in "The Innocence of Father Brown". Chesterton died in 1936 at the age of 62.
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Most helpful customer reviews
8 of 8 people found the following review helpful. Please Read By Daniel Myers This book is simply a must read for all those who love the great English novels of the Victorian Era and, furthermore, its poetry which, while historically it has fallen into what Chesterton would probably see as justified neglect (save that of Robert Browning), and is now seen as a pale and jejune lifting from the "High Romantics," notably Byron and Shelley, to whom Chesterton pays due homage at the beginning of the work, was much more preeminent at the time. Also, English prose writers get a thorough threshing out. Above all, Chesterton's treatment of Dickens is the most remarkable aspect of this work. I've never read such a spot on and thorough treatment of that omnipresent Victorian anywhere.But all this would be for naught if it weren't for Chesterton's unique and thorough style of assessing these authors. There are thousands of dry dissertations on the subject and just as many tendentious books published full of stifling academese drivel that renders them well nigh unreadable. The closest thing in the modern era to which I can compare Chesterton's writing is Harold Bloom. But this is not quite fair to either of them. Chesterton is far less trenchant. His judgments are made in a mollifying context, and he doesn't rely on anything like the "anxiety of influence" to bolster his insights.Of course, all this presumes a broad knowledge of the Victorian era, such as the Pre-Raphaelite movement in art etc. But I presume any reader of this review possesses such knowledge, or they wouldn't be considering the purchase of this book.PLEASE do buy it or check it out or something, especially if you are a beleaguered student (graduate or undergrad). I wish I'd had this splendid, readable, erudite analysis to pass around my Victorian Novels seminar in Grad School-sighs-Everybody at the time was reading the banal Feminist tract, The Mad Woman in The Attic (allusion, if you didn't catch it, to Jane Eyre (the novel, not the character). - In any event, this book is simply a joy to read for anybody who loves English literature and splendid writing. My highest praise.
2 of 2 people found the following review helpful. Not Your Typical Chesterton Book By Kindle Customer No, this one does not have any of the pithy sayings for which G.K. is famous. But if you are a fan of literature you'll enjoy his take on these Victorian authors. He wrote the book when these authors were still widely read so he assumes the reader knows a lot about them. Even though I'm quite a literature fan, I had only heard of half of them. After reading this book I looked up books by several of the obscure authors he recommended and I can see why they were put to rest. Still, this is a fascinating overview of Victorian novelists.
1 of 1 people found the following review helpful. We may laugh at the Victorians, and forget that they may be laughing at us. By Christopher (o.d.c.) Publication date: 1913, in the "Home University Library," and yet as unlike a textbook as could be:"... It was latitudinarian, and yet it was limited. It could be content with nothing less than the whole cosmos: yet the cosmos with which it was content was small. It is false to say it was without humour: yet there was something by instinct unsmiling in it. It was always saying solidly that things were 'enough'; and proving by that sharpness (as of the shutting of a door) that they were not enough. It took, I will not say its pleasures, but even its emancipations, sadly. Definitions seem to escape this way and that in the attempt to locate it as an idea. But every one will understand me if I call it George Eliot."Chesterton's style is boisterous and engaging, and there were lots of brilliant remarks throughout that set conventional wisdom (of his day or ours) on its pointy little head. One chapter is about novelists (Dickens, George Eliot, George Meredith and others), one chapter is about poets (Browning Swinburne, Fitzgerald's Rubaiyat). These are framed by chapters about the climate of ideas at the beginning of the age, and at the end:"... The difference that the period had developed can best be seen if we consider this: that while neither was of a spiritual sort, Macaulay took it for granted that common sense required some kind of theology, while Huxley took it for granted that common sense meant having none. Macaulay, it is said, never talked about his religion: but Huxley was always talking about the religion he hadn't got."Here is one more quote which I find perhaps the most thought-provoking:"... It meant a real Victorian talent; that of exploding unexpectedly and almost, as it seemed, unintentionally. Gilbert made good jokes by the thousand; but he never (in his best days) made the joke that could possibly have been expected of him. This is the last essential of the Victorian. Laugh at him as a limited man, a moralist, conventionalist, an opportunist, a formalist. But remember also that he was really a humorist; and may still be laughing at you."
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